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PoetósferaLa BibliotecaEugene Lee-Hamilton

Eugene Lee-Hamilton · Modernismo

Ipsissimus

inglés

Thou Priest that art behind the screen
Of this confessional, give ear:
I need God’s help, for I have seen
What turns my vitals limp with fear.
O Christ, O Christ, I must have done
More mortal sin than anyone
Who says his prayers in Venice here!

And yet by stealth I only tried
To kill my enemy, God knows;
And who on earth has e’er denied
A man the right to kill his foes?
He won the race of the Gondoliers;
I hate him and the skin he wears—
I hate him and the shade he throws.

I hate him through each day and hour;
All ills that curse me seem his fault:
He makes my daily soup taste sour,
He makes my daily bread taste salt;
And so I hung upon his track
At dusk to stab him in the back
In some lone street or archway vault.

But oh give heed! As I was stealing
Upon his heels, with knife grasped tight,
There crept across my soul a feeling
That I myself was kept in sight;
Each time I turned, dodge as I would,
A masked and unknown watcher stood
Who baffled all my plan that night.

What mask is this, I thought and thought,
Who dogs me thus when least I care?
His figure is nor tall nor short,
And yet has a familiar air.
But oh, despite this watcher’s eye,
I’ll reach my man yet by-and-by,
And snuff his life out yet, elsewhere.

And though compelled to still defer,
I schemed another project soon;
I armed my boat with a hidden spur
To run him down in the lagoon.
At dusk I saw him row one day
Where lone and wide the waters lay,
Reflecting scarce the dim white moon.

No boat, as far as sight could strain,
Loomed on the solitary sea;
I saw my oar each minute gain
Upon my death-doomed enemy,
When lo, a black-masked gondolier,
Silent and spectre-like, drew near,
And stepped between my deed and me.

He seemed from out the flood to rise,
And hovered near to mar my game;
I knew him and his cursed guise,
His cursed mask: he was the same.
So, balked once more, enraged and cowed,
Back through the still lagoon I rowed
In mingled wonder, wrath, and shame.

Oh, were I not to come and pray
Thee for thy absolution here
In the Confessional, to-day
My very ribs would burst with fear.
Leave not, good Father, in the lurch
A faithful son of Mother Church,
Whose faith is firm and soul sincere.

Behind St. Luke’s, as the dead men know,
A pale apothecary dwells,
Who deals in death both quick and slow,
And baleful philters, withering spells;
He sells alike to rich and poor,
Who know what knocks to give his door,
The yellow dust that rings the knells.

Well, then, I went and knocked the knock
With cautious hand, as I’d been taught;
The door revolved with silent lock,
And I went in, suspecting nought.
But oh, the self-same form stood masked
Behind the counter, and unasked
In silence proffered what I sought.

My knees and hands like aspens shook:
I spilt the powder on the ground;
I dared not turn, I dared not look;
My palsied tongue would make no sound.
Then through the door I fled at last
With feet that seemed more slow than fast,
And dared not even once look round.

And yet I am an honest man
Who only sought to kill his foe:
Could I sit down to see each plan
That I took up frustrated so,
When as each plan was marred and balked,
And in the sun my man still walked,
I felt my hate still greater grow?

I thought, “At dusk with stealthy tread
I’ll seek his dwelling, and I’ll creep
Upstairs and hide beneath his bed,
And in the night I’ll strike him deep.”
And so I went; but at his door
The figure, masked just as before,
Sat on the step as if asleep.

Bent, spite all fear, upon my task,
I tried to pass: there was no space.
Then rage prevailed; I snatched the mask
From off the baffling figure’s face,
And oh, unutterable dread!
The face was mine, mine white and dead,
Stiff with some frightful death’s grimace.

What sins are mine, O luckless wight,
That doom should play me such a trick
And make me see a sudden sight
That turns both soul and body sick?
Stretch out thy hands, thou priest unseen
That sittest there behind the screen,
And give me absolution, quick!

O God, O God, his hands are dead!
His hands are mine, O monstrous spell!
I feel them clammy on my head.
Is he my own dead self as well?
Those hands are mine—their scars, their shape:
O God, O God, there’s no escape,
And seeking Heaven, I fall on Hell!

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Autor
Eugene Lee-Hamilton
Título
Ipsissimus
Lengua
inglés
Época
Modernismo
Sala
La Biblioteca
Identificador
ws-en-ipsissimus--eugene-lee-hamilton-a0a5a3
Cita recomendada
Eugene Lee-Hamilton, «Ipsissimus», Poetósfera, poetosfera.com/p/ws-en-ipsissimus--eugene-lee-hamilton-a0a5a3.html

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