CADA PIEZA VIVE EN UNA DIRECCIÓN · NADA VIVE EN UNA SOLA SALA  

PoetósferaLa BibliotecaAlgernon Charles Swinburne

Algernon Charles Swinburne · Modernismo

Ii. Spring in Tuscany

inglés

If this be the rose that the world hears singing,
Soft in the soft night, loud in the day,
Songs for the fire-flies to dance as they hear;
If that be the song of the nightingale, springing
Forth in the form of a rose in May,
What do they say of the way of the year?

What of the way of the world gone Maying,
What of the work of the buds in the bowers,
What of the will of the wind on the wall,
Fluttering the wall-flowers, sighing and playing,
Shrinking again as a bird that cowers,
Thinking of hours when the flowers have to fall?

Out of the throats of the loud birds showering,
Out of the folds where the flag-lilies leap,
Out of the mouths of the roses stirred,
Out of the herbs on the walls reflowering,
Out of the heights where the sheer snows sleep,
Out of the deep and the steep, one word.

One from the lips of the lily-flames leaping,
The glad red lilies that burn in our sight,
The great live lilies for standard and crown;
One from the steeps where the pines stand sleeping,
One from the deep land, one from the height,
One from the light and the might of the town.

The lowlands laugh with delight of the highlands,
Whence May winds feed them with balm and breath
From hills that beheld in the years behind
A shape as of one from the blest souls' islands,
Made fair by a soul too fair for death,
With eyes on the light that should smite them blind.

Vallombrosa remotely remembers,
Perchance, what still to us seems so near
That time not darkens it, change not mars,
The foot that she knew when her leaves were September's,
The face lift up to the star-blind seer,
That saw from his prison arisen his stars.

And Pisa broods on her dead, not mourning,
For love of her loveliness given them in fee;
And Prato gleams with the glad monk's gift
Whose hand was there as the hand of morning;
And Siena, set in the sand's red sea,
Lifts loftier her head than the red sand's drift.

And far to the fair south-westward lightens,
Girdled and sandalled and plumed with flowers,
At sunset over the love-lit lands,
The hill-side's crown where the wild hill brightens,
Saint Fina's town of the Beautiful Towers,
Hailing the sun with a hundred hands.

Land of us all that have loved thee dearliest,
Mother of men that were lords of man,
Whose name in the world's heart works as a spell,
My last song's light, and the star of mine earliest,
As we turn from thee, sweet, who wast ours for a span,
Fare well we may not who say farewell.

III. SUMMER IN AUVERGNE

The sundawn fills the land
Full as a feaster's hand
Fills full with bloom of bland
Bright wine his cup;
Flows full to flood that fills
From the arch of air it thrills
Those rust-red iron hills
With morning up.

Dawn, as a panther springs,
With fierce and fire-fledged wings
Leaps on the land that rings
From her bright feet
Through all its lava-black
Cones that cast answer back
And cliffs of footless track
Where thunders meet.

The light speaks wide and loud
From deeps blown clean of cloud
As though day's heart were proud
And heaven's were glad;
The towers brown-striped and grey
Take fire from heaven of day
As though the prayers they pray
Their answers had.

Higher in these high first hours
Wax all the keen church towers,
And higher all hearts of ours
Than the old hills' crown,
Higher than the pillared height
Of that strange cliff-side bright
With basalt towers whose might
Strong time bows down.

And the old fierce ruin there
Of the old wild princes' lair
Whose blood in mine hath share
Gapes gaunt and great
Toward heaven that long ago
Watched all the wan land's woe
Whereon the wind would blow
Of their bleak hate.

Dead are those deeds; but yet
Their memory seems to fret
Lands that might else forget
That old world's brand;
Dead all their sins and days;
Yet in this red clime's rays
Some fiery memory stays
That sears their land.

IV. AUTUMN IN CORNWALL

The year lies fallen and faded
On cliffs by clouds invaded,
With tongues of storms upbraided,
With wrath of waves bedinned;
And inland, wild with warning,
As in deaf ears or scorning,
The clarion even and morning
Rings of the south-west wind.

The wild bents wane and wither
In blasts whose breath bows hither
Their grey-grown heads and thither,
Unblest of rain or sun;
The pale fierce heavens are crowded
With shapes like dreams beclouded,
As though the old year enshrouded
Lay, long ere life were done.

Full-charged with oldworld wonders,
From dusk Tintagel thunders
A note that smites and sunders
The hard frore fields of air;
A trumpet stormier-sounded
Than once from lists rebounded
When strong men sense-confounded
Fell thick in tourney there.

From scarce a duskier dwelling
Such notes of wail rose welling
Through the outer darkness, telling
In the awful singer's ears
What souls the darkness covers,
What love-lost souls of lovers,
Whose cry still hangs and hovers
In each man's born that hears.

For there by Hector's brother
And yet some thousand other
He that had grief to mother
Passed pale from Dante's sight;
With one fast linked as fearless,
Perchance, there only tearless;
Iseult and Tristram, peerless
And perfect queen and knight.

A shrill-winged sound comes flying
North, as of wild souls crying
The cry of things undying,
That know what life must be;
Or as the old year's heart, stricken
Too sore for hope to quicken
By thoughts like thorns that thicken,
Broke, breaking with the sea.

Sigue explorando

Por su autor
Algernon Charles Swinburne · 331 piezas más en la casa
Dónde vive
La Biblioteca

← Hope and fearIlicet →

Expediente

Autor
Algernon Charles Swinburne (1837–1909) · Wikidata Q315511
Título
Ii. Spring in Tuscany
Lengua
inglés
Época
Modernismo
Sala
La Biblioteca
Identificador
ws-en-ii-spring-in-tuscany--algernon-charles-swinburne-930737
Cita recomendada
Algernon Charles Swinburne, «Ii. Spring in Tuscany», Poetósfera, poetosfera.com/p/ws-en-ii-spring-in-tuscany--algernon-charles-swinburne-930737.html

Las obras de dominio público se reproducen íntegras, con atribución y en la ortografía de su impreso. ¿Ves una errata o conoces una fuente mejor? Escríbenos desde Sobre la casa.